Edwards, who ended up utilizing the true, flesh-and-blood human Hans Zimmer for the soundtrack of his film, stated he performed the AI-generated monitor again to the composer. Zimmer, he stated, discovered it amusing. Zimmer wasn’t reachable for remark.
Edwards’s experiment speaks to an challenge on the coronary heart of one of many greatest fights going through Hollywood in the present day. Artists and creatives are up in arms over generative AI. Hollywood is at present at a standstill as actors and writers are putting over fairer labor situations and the use of generative AI within the movie trade. There can also be fierce pushback from authors and artists who argue that tech corporations steal their mental property by indiscriminately scraping the online for pictures and textual content. Prominent artists akin to comic and writer Sarah Silverman have sued AI corporations for copyright infringement.
It’s nonetheless early days for music-generating AI, which could clarify why Edwards bought the outcomes he did, says Henry Ajder, an skilled in generative AI.
“From my experience, some quite simple AI music is pretty convincing. It’s difficult to tell the difference between an AI-generated composition and a human performed composition,” he says.