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    Home » The real culprit behind the 1871 vandalism of the Paleozoic Museum in Central Park
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    The real culprit behind the 1871 vandalism of the Paleozoic Museum in Central Park

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    The real culprit behind the 1871 vandalism of the Paleozoic Museum in Central Park
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    Enlarge / Benjamin Waterhouse Hawkins’ studio at the Central Park Arsenal in New York City, with fashions of extinct animals.

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    The authentic plans for New York City’s Central Park included a Paleozoic Museum at 63rd Street and Central Park West, which might have displayed life-size concrete fashions of dinosaurs positioned in fastidiously designed dioramas. Those plans have been dashed in 1871 when vandals broke into the workshop of the museum’s designer, Benjamin Waterhouse Hawkins, and smashed the fashions with sledgehammers, burying the rubble in the southwestern nook of the park.

    The conventional take in paleontology circles is that the man behind the destruction was William “Boss” Tweed, who just about dominated the metropolis’s Democratic Party political machine at the time together with his cronies at Tammany Hall. But a latest paper printed in the Proceedings of the Geologists’ Association identifies a unique culprit: a lawyer and businessman named Henry Hilton, a member of the Tammany Hall contingent who championed plans for what would change into the American Museum of Natural History.

    Co-authors Victoria Coules and Michael Benton of the University of Bristol in England additionally discovered no proof of a non secular motivation for the destruction, i.e., opposition to the then-nascent discipline of paleontology and its related implications for evolutionary idea, which have been deemed “blasphemous” by some non secular leaders. Rather, it appears to have been one of many “loopy actions” by Hilton. “We discover that Hilton exhibited an eccentric and damaging method to cultural artifacts, and a exceptional potential to destroy all the things he touched, together with the enormous fortune of the division retailer tycoon Alexander Stewart,” Coules and Benton wrote. “Hilton was not solely dangerous but in addition mad.”

    Hawkins was an English sculptor and pure historical past artist who brought on a sensation at the Great Exhibition of 1851 in London together with his life-size dinosaur fashions. Cast in concrete and designed in conjunction with paleontologist Sir Richard Owen, the fashions have been subsequently relocated to what’s now Crystal Palace Park. Owen even hosted a memorable feast on December 31, 1853, inside the precise mould Hawkins had used to solid the Iguanodon sculptures.

    <em>Iguanodon</em> sculptures in London's Crystal Palace Park in 2014.
    Enlarge / Iguanodon sculptures in London’s Crystal Palace Park in 2014.

    News of the Crystal Palace dinosaurs unfold to America and the Board of Commissioners in cost of growing plans for Central Park, led by Andrew Haswell Green. Hawkins was already in the US on a lecture tour, in addition to designing and casting a virtually full Hadrosaurus skeleton for the Academy of Natural Sciences in Philadelphia—the world’s first mounted dinosaur skeleton. So he was a pure option to create life-size dinosaur sculptures for the deliberate Paleozoic Museum in Central Park. Green wrote to Hawkins in May 1868, providing him the fee, and Hawkins accepted. The Board additionally tapped architects Frederick Law Olmsted and Calvert Vaux to design the park’s format and options.

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    The dinosaur fashions for the Paleozoic Museum could be based mostly on these specimens particularly discovered in North America, though this was simply earlier than the well-known American “bone rush” of the 1870s to Nineties yielded giant numbers of fossilized dinosaur skeletons and bones. Hawkins was offered a workspace in a big brick constructing referred to as the Arsenal (or the Armory) on sixty fourth Street, starting with small clay fashions based mostly on the obtainable fossil proof earlier than making the life-size molds. Meanwhile, Olmsted and Vaux lodged their architectural plans for the museum constructing and dug out the foundations.

    Alas, the political winds have been shifting in New York City by 1870. Boss Tweed disbanded the board led by Green and appointed a brand new board with all his personal individuals, headed by Peter Sweeny, with Hilton serving as treasurer. By this time, plans have been underway for the extra bold American Museum of Natural History (AMNH) to be positioned on or adjoining to Central Park. Hawkins needed to transfer out of the Arsenal into a close-by shed to proceed his work to make room for the specimens and collections being acquired for the AMNH.

    The AMNH wasn’t supposed to rival the deliberate Paleozoic Museum; Green’s board had supported each initiatives. But Tweed’s newly appointed board felt otherwise and elected to cease the undertaking in May 1870. The official purpose was financial. Their 1871 annual report particularly cited the excessive price of finishing the Paleozoic Museum (some $300,000, or about $7.5 million as we speak), all coming from public funds, in contrast to the AMNH, which was supported by philanthropic fundraising. This was deemed “too nice a sum to expend on a constructing devoted wholly to paleontology—a science, which nevertheless attention-grabbing, is but so imperfect as to not justify so nice a public expense for illustrating it.” There have been additionally plans for a zoo in Central Park, and the board favored supporting residing animals over extinct ones.

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